WEDDING PHOTOGRAPHER IN MALLORCA

I photograph never more than fifteen weddings a year. That means when I'm on your wedding day in Mallorca, I'm not thinking about the next one. I'm thinking about the way the light is falling on the stone at Son Marroig right now, and whether this is the frame.

I shoot medium format film — Contax 645 and Pentax 67, loaded with Kodak Portra — and I'm the only photographer in Mallorca who pairs that with Super 8 cinematic video. Every roll goes to Carmencita Film Lab in Valencia. I've been based in Spain for over a decade, and Mallorca is one of the places I know most deeply — the light, the back roads, the restaurant where I'll send you the night before your wedding.

I don't shoot thousands of frames hoping some land. I watch. I wait. I press the shutter when something real is happening. You get back images that feel like the day felt — not like a production of it.

Some weddings stay with you long after you've left the island. Yulia and Lars's celebration was one of them — three days in the hills of Deià, moving from a golden rehearsal dinner to a sun-drenched morning by the pool to a clifftop ceremony above the sea.

It began at Belmond La Residencia, where the garden terraces fill with fairy lights at dusk and the village of Deià tumbles down the hillside above the pool. The rehearsal dinner was intimate and joyful — guests grazing from a paella station on the lawn, wine glasses catching the golden light, the best-dressed people I've photographed all year drifting across the grass in feathered sleeves and floral prints and bamboo bags. Marc Fosh catered the evening with the same effortless elegance the setting demanded.

The following morning we stayed at La Residencia for a couple session — unhurried, warm, completely unposed. The pool. The sun loungers. A moment where both of them were reading "La Resi Tribune" side by side, completely absorbed, and I pressed the shutter quietly. One of my favourite photographs from the entire weekend.

Then Son Marroig. The marble rotunda above the sea, dressed in white roses, sweet pea and wisteria. The ceremony unfolded with the Mediterranean stretching to the horizon below — sincere, emotional, extraordinary on film. Long linen tables for the reception glowed in the last of the golden light while the Tramuntana darkened behind them. And somewhere in that roll of film, a double exposure: the ceremony crowd dissolving into the clifftop and the sea. Perhaps the most purely Mallorca photograph I have ever made.

Nobody else on this island does what I do. I don't mean that as marketing — I've checked. Every other Mallorca photographer either shoots digital with a bit of 35mm film on the side, or offers Super 8 but paired with digital stills. I'm the only one who shoots your entire wedding on medium format film and captures your wedding video on Super 8, with everything processed at Carmencita.

The difference matters. Medium format negatives are nearly four times the size of 35mm. That's not a technical detail — it's the reason the skin tones glow, the highlights hold instead of blowing out, and the images have a depth you can almost step into. It's the format editorial photographers have used for decades. It's the format I chose and never looked back.

Super 8 captures what stills can't — the way your dress catches the sea breeze at Son Marroig, candlelight flickering across a long table in Deià, your guests laughing during the speeches. The format your parents' home movies were shot on, and the reason those old tapes feel more alive than any HD video ever could. Film stills give you the moments. Super 8 gives you the feeling.

The lab work alone — developing, scanning, colour grading — costs €1,500–€4,750 per wedding. I share that not to justify the price, but because it tells you something about the craft. This isn't a filter applied after the fact. It's real chemistry, real light on real film, processed by some of the best lab technicians in Europe.

This isn't for everyone. But if the idea of a wedding captured entirely on film — no screens, no instant playback, just the quiet click of a shutter and the whir of a Super 8 camera — makes your heart beat a little faster, we should talk.

I've shot across this island for years. These are the places I keep coming back to, and why.

SON MARROIG. The white marble rotunda above the sea near Deià. West-facing, which means the golden hour lasts longer here than almost anywhere else on the island. I've photographed elopements, ceremonies and couple portraits here and I never tire of it. On Kodak Portra at sunset, this place is something else entirely.

PORT DE SOLLER. The horseshoe bay with the Tramuntana behind it. Turquoise water, old wooden boats, mountain light. I photographed a sunset sailboat proposal here that's one of my favourite sessions — the kind of evening where everything just aligns.

DEIA VILLAGE. The light here in late afternoon does something I can't quite explain — it wraps around the stone houses and turns everything the colour of honey. I always shoot Deià on Portra 400 because the film holds that warmth without me having to do anything. The olive groves above the village go silver when the wind picks up. It's the kind of place where I barely direct — I just let couples walk and the frames find themselves.

THE SERRA DE TRAMUNTANA. I drive these mountain roads with the windows down and always end up pulling over. A bend opens up and suddenly the sea is below you, or a monastery appears out of nowhere, or the terraced hillsides catch the light in a way I need to photograph even when nobody's paying me to. For couples who want something raw and untamed — nothing posed, nothing precious — this is where I take them.

PALMA OLD TOWN. Completely different energy from the rest of the island. The cathedral throws these long afternoon shadows across the old streets that are extraordinary on black and white film — Ilford Delta, heavy contrast, very graphic. I love mixing this in when a couple has a Tramuntana venue but wants something architectural and urban as a counterpoint.

CAP FORMENTOR. The cliffs at the northern tip of the island. I've been there at 7am with nobody around — just wind and light and the kind of drop into blue water that makes your stomach flip. It photographs like a film set. Not for every couple, but for the right ones it's unforgettable.

PRIVATE FINCA ESTATES.  Honestly, some of my strongest Mallorca work never appears in a location guide because it happens behind closed gates — an old walled garden nobody else can access, a stone terrace under a 200-year-old olive tree, a courtyard where the afternoon light pools in one perfect spot for twenty minutes. If your venue has these spaces, I'll find them before you do.

I don't write about venues I've seen on Instagram. These are places I've actually photographed at, and I know exactly where the light falls and when.

SON MARROIG — Hilltop estate, marble rotunda, sea views that don't look real until you're standing there. The late afternoon light on the stone is one of the most beautiful things I've ever captured on film.

JARDINES DE ALFABIA — Historic estate in the Tramuntana. Roman-Andalusian roots, avenues of ancient trees, ornate courtyards. Walking through it feels like stepping into another century. The dappled light through the garden canopy is extraordinary on film.

CAP ROCAT — A former military fortress on a cliff above the Bay of Palma, converted into one of Mallorca's most exclusive luxury hotels. The combination of historic architecture, dramatic terraces and Mediterranean views is unlike anything else on the island. When the afternoon sun drops behind the bay, the whole venue transforms — the stone turns golden, the terraces glow, and film captures it in a way digital simply can't.

BELMOND LA RESIDENCIA — Set in the hills above Deia among olive and citrus groves, this twin manor house hotel is one of Mallorca's most romantic and intimate properties. Candlelit dinners, mountain views, and Spanish guitar under the stars — it is the closest thing to a fairytale on the island.
 

THE LODGE — 16th-century farmhouse, lavender field driveway, views of the countryside from every angle. The arrival alone is worth the trip.

CA'S XORC — A restored olive oil mill perched on a hillside in the Tramuntana, between Deia and Sóller. Terracotta pots, mountain views, a gorgeous pool, and the most beautifully textured Mediterranean colour palette I've ever worked with. The restaurant here is also divine.

SA PEDRISSA — Nestled near Deia with breathtaking views across the sea and the Tramuntana mountains. One of Mallorca's most private and luxurious settings — equally beautiful for proposals, engagement sessions and full weddings.

FINCA SERENA — A contemporary eco-luxury finca surrounded by olive groves and vineyards, combining modern design with the natural beauty of the island. Perfect for couples who value sustainability alongside elegance.
 

Mallorca isn't just for weddings. Many couples come to the island on holiday and want to capture something beautiful while they're here — or they're scouting venues and decide to turn a visit into a portrait session.

I shoot engagement sessions across the island. Son Marroig at sunset. The harbour at Port de Sóller. The streets of Deià in the late afternoon. Sessions last about two hours and I shoot predominantly on medium format film. The images feel warm, unhurried, and very different from what you'd get with a digital shoot.

For surprise proposals, I've done sailboats at sunset, clifftop moments, restaurant terraces — I work with you beforehand to plan every detail, then stay invisible until the moment happens. After "yes," we continue with a relaxed portrait session. You'll have both the raw proposal and the composed engagement portraits.

Mallorca's light is one of the most beautiful I've ever worked in. The way late afternoon sun hits an old stone wall, the colour of the sea at Deià on a clear day, olive groves going silver-green in the wind — Kodak Portra holds all of this with a warmth that feels completely true to how the island actually looks.

This is why I chose medium format and never looked back. The negatives are nearly four times the size of 35mm film, which translates to finer grain, richer colour, and a depth in the highlights and shadows that gives images a luminosity you can feel. When couples ask me why their photographs look different from other film photographers, this is the answer — it's the format, not just the film stock.

I work hybrid: medium format film for portraits, ceremony, and the emotional moments — digital for fast-moving reception coverage. Engagement sessions and elopements are typically 100% film. Every roll goes to Carmencita Film Lab in Valencia, one of Europe's finest.

My work has been published in Style Me Pretty, Wedding Sparrow, French Wedding Style and other internationally recognised publications. I photograph never more than fifteen weddings a year. If you're looking for a Mallorca wedding photographer whose work feels editorial but personal, quiet but intentional — I'd love to hear from you.

How far in advance should I book a Mallorca wedding photographer?
Peak season in Mallorca runs from May through October, and the most sought-after venues book up 12–18 months in advance. I shoot a limited number of weddings per year to give each couple my full attention — I recommend reaching out as early as possible. I'm currently accepting enquiries for 2026 and 2027.

Do you travel from Barcelona to Mallorca for weddings? 

I do — it's under an hour's flight and I travel to the island regularly throughout the season. Travel is included transparently in every quote.

What does a Mallorca wedding photography collection include? 

Medium format film and digital photography, a pre-wedding consultation, location and timeline planning, and a curated online gallery. Super 8 video can be added to any collection.

What's the best time of year for a Mallorca wedding? 

Late May, June, September, and early October are ideal — warm enough for outdoor celebrations, not so hot that midday becomes uncomfortable. July and August work beautifully but I recommend later ceremony times and shaded venues. The island is also stunning in spring (April–May) when the almond blossoms are out and the hills are green — a quieter, more intimate time to celebrate.

Do you offer Super 8 wedding video in Mallorca? 

Yes. I'm the only photographer in Mallorca pairing medium format film stills with Super 8 cinematic video. The footage captures atmosphere and motion in a way that complements the stillness of the photographs. All film — stills and motion — is processed at Carmencita Film Lab.

Can I book an engagement session or proposal photography in Mallorca separately from a wedding? 

Absolutely. I offer standalone engagement sessions, honeymoon portrait sessions, and proposal photography across the island. These can also be combined with a wedding booking for a discounted rate.

Which part of Mallorca is best for a destination wedding? 

It depends entirely on your style. The northwest — Deia, Sóller, the Tramuntana — is for couples who want dramatic mountain and sea landscapes, an intimate bohemian atmosphere, and venues with deep history. The south and east offer more beach-oriented luxury. Palma suits couples who want a cosmopolitan, architectural feel. I'm happy to advise based on your vision and guest count.

Do you have experience with international couples planning a Mallorca wedding from abroad? 

Yes — the majority of my Mallorca couples are international, planning their wedding remotely. I'm experienced in remote consultations, detailed location planning by video call, and coordinating with local planners and vendors. Planning a destination wedding from the UK, US, or anywhere else in Europe is entirely manageable and I'll guide you through every step.

Whether you're dreaming of a clifftop elopement at Son Marroig, an intimate villa celebration in Deia, a luxury estate wedding at Cap Rocat, or a sailboat proposal at sunset in Port de Sóller — I would be honoured to be your Mallorca wedding photographer.